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A bilingual edition of writings by Latin America's finest baroque poet
Sor Juana Ines de la Cruz (1648-1695) wrote her most famous prose work, La Respuesta a Sor Filotea, in 1691 in response to her bishop's injunction against her intellectual pursuits. A passionate and subversive defense of the rights of women to study, to teach, and to write, it predates by almost a century and a half serious writings on any continent about the position and education of women.
Also included in this wide-ranging selection is a new translation of Sor Juana's masterpiece, the epistemological poem "Primero Sueno, " as well as revealing autobiographical sonnets, reverential religious poetry, secular love poems (which have excited speculation through three centuries), playful verses, and lyrical tributes to New World culture that are among the earliest writings celebrating the people and the customs of this hemisphere.�
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #286426 in Books
- Published on: 1997-03-01
- Released on: 1997-03-01
- Original language: Spanish
- Number of items: 1
- Dimensions: 7.70" h x .60" w x 5.10" l, .47 pounds
- Binding: Paperback
- 304 pages
Language Notes
Text: English, Spanish (translation)
Original Language: Spanish
From the Back Cover
Sor Juana Ines de la Cruz (1648-1695) wrote her most famous prose work, La Respuesta a Sor Filotea, in 1691 in response to her bishop's injunction against her intellectual pursuits. A passionate and subversive defense of the rights of women to study, to teach, and to write, it predates by almost a century and a half serious writings on any continent about the position and education of women. Moreover, notes Ilan Stavans in his introduction, it has become "a cornerstone of Hispanic-American identity ... at once a chronicle of the tense gender relations in the Western Hemisphere, a rich portrait of the social behavior that prevailed more than a century before independence from Spain was gained in 1810, and the very first intellectual autobiography written by a criolla in a hemisphere known for its solipsism, introversion, and allergy to public confessions. Also included in this wide-ranging selection is a new translation of Sor Juana's masterpiece, the epistemological poem "Primero Sueno", as well as revealing autobiographical sonnets, reverential religious poetry, secular love poems (which have excited speculation through three centuries), playful verses, and lyrical tributes to New World culture that are among the earliest writings celebrating the people and the customs of this hemisphere.
About the Author
Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture at Amherst College and the author or editor of numerous books.
Most helpful customer reviews
51 of 52 people found the following review helpful.
A superb introduction to a great mind
By Michael J. Mazza
Sor Juana Ines de la Cruz is one of those remarkable literary figures whose extraordinary body of work forces one to either reevaluate or refine one's ideas about the complex interrelationships between religion, gender, national identity, and ethnicity. A nun who lived in seventeenth century Mexico, she distinguished herself as a poet, playwright, and prose writer.
"Poems, Protest, and a Dream" is an excellent introduction to the life and work of this fascinating woman. This selection of her works includes her famous prose piece addressed to "Sor Filotea de la Cruz," a hearty helping of her poetry, and two selections from her dramatic corpus. The bilingual format of the text, with Sor Juana's Spanish original on each even-numbered page and Margaret Sayers Peden's elegant English translation on each odd-numbered page, allows one to easily compare the two versions.
The distinguished scholar Ilan Stavans has written an extensive 32 page introduction. Stavans describes in detail the historical and cultural context from which Sor Juana wrote; his sensitive and intelligent portrait of the woman and her age made me appreciate and enjoy her writings even more.
Sor Juana takes on themes that are still relevant (and often hotly debated) more than three centuries after she wrote these works. The response to Sor Filotea is a defense of female intellectual aspiration in a male-dominated culture; in the defense Sor Juana critically responds to those who use the Judeo-Christian Bible as a tool for intimidating and marginalizing women. With certain factions of the "religious right" still using the Bible as a weapon for demonizing certain individuals and social agendas, Sor Juana's words continue to ring fresh and clear.
Equally extraordinary is Sor Juana's loa (a dramatic scene which prefaces a longer play) to "The Divine Narcissus." The loa is an allegory depicting the early contact between Christianity and the religion of the Aztecs; in this piece I detect a subtle satirical thrust which adds to the complexity of Sor Juana's vision.
Sor Juana was a masterful stylist in multiple literary genres, and her depth of psychological and moral insight adds to her stature as a literary giant. Nobody should consider herself or himself literate in the fields of women's studies or Latin American studies without having read the works of Sor Juana Ines de la Cruz. "Poems, Protest, and a Dream" is an excellent resource for both independent reading and classroom use. Enjoy Sor Juana's artistry, and reflect on her ideas.
0 of 0 people found the following review helpful.
Five Stars
By Maria Montecelo Chavez
Great Book!
30 of 32 people found the following review helpful.
Female Intellectualism
By A Customer
A great intellectual is not commonly thought of to be a woman, especially in 17th century New Spain. In the midst of the highly structured Baroque literary period, an illegitimate child was baptized as Juana Ram�rez de Asbaje, spent her adolescence at court, and left to become a nun where she could continue her studies in peace, rather than marrying. Although she was almost entirely self-educated, the word quickly spread of her intelligence. This caused envy and animosity towards her that she tried to avoid her entire adult life. Four years before she died, the church forced her to give up her writings and worldly studies. In her letter of response to this request, (included in the book) she became the first woman in Latin America to defend her gender's right to study and write as men could. Much of her work was commissioned, but more is being discovered of her autobiographical writings. This book includes one of the few known poems (Primero Sue�o) that was not commissioned. The book is in Spanish and English on opposing pages. This is very advantageous if you are bilingual, and even if you aren't, I can't say enough about Margaret Sayers Peden's translations. Not only does she give you as close to word for word; she also preserves the original structure, themes, and rhyme schemes that are so essential in Baroque literature. Even if you go no further than this book, you will not be disappointed. It has a very complete collection of her most famous works. Unfortunately, so few people in the English-speaking U.S. has even heard of Sor Juana In�s de la Cruz. I was first introduced to her wonderful poetry in a Mexican History / English dyad in college. Since that first poem I read, I have been searching for books of her works, and about her life. I highly recommend the addiction.
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